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     SOUTHWEST STATES
     
    Destination: LAS VEGAS

    Le jacque pot

    New $800 million resort features 50-story replica of Eiffel Tower
    Palm trees in Paris?
    Photo courtesy Paris Grand Opening

     LAS VEGAS -- Even in this gambling Mecca, where megaresorts have assumed identities ranging from Rome to Rio, Mandalay to Manhattan, Venice to Egypt, the idea seemed a stretch.

     Re-create Paris and the Eiffel Tower on the Las Vegas Strip?

     Some scoffed at the idea three years ago when Arthur Goldberg announced plans for a new megaresort featuring the icons of Paris.

     The city of lights, replicated in the city of neon lights?

     Yet, Goldberg's dream comes to fruition Sept. 1 when the $800 million Paris Las Vegas Casino Resort opens.

     "Everything is to the letter like you'd find it in Paris," says resort president Paul Pusateri, standing in the shadow of the Eiffel Tower replica. "Our goal was to capture the essence of Paris and have it present in every aspect of the resort."

     Pusateri recalls meeting with Goldberg, chairman of parent Park Place Entertainment Corp., discussing a theme for the new resort they planned on a prime 24-acre patch of desert adjacent to the company's Bally's Las Vegas Hotel-Casino.
    Hotel-casino set to open in September, 1999.
    Photo courtesy Paris Grand Opening


     "What about Paris?" Goldberg suggested.

     "We knew as soon as we started research that this was the perfect theme," Pusateri remembers. "And it offered the most powerful icon in the world, the Eiffel Tower."

     Las Vegas may not be running out of themes, but it's stretching the limits.

     In the past decade, the town has seen the emergence of the Caribbean-themed Mirage, the medieval Excalibur, the pyramid-shaped Luxor, the MGM Grand, pirate-themed Treasure Island, Mediterranean-styled Monte Carlo, Gotham knockoff New York-New York, Brazilian-themed Rio, Italian-themed Bellagio, two South Seas-styled resorts, Mandalay Bay and the Resort at Summerlin, and a touch of Venice in The Venetian.

     Since 1989, the number of hotel rooms has nearly doubled, from 67,390 to the present 120,000, and the annual visitor count has jumped from 18.1 million a decade ago to 30.6 million in 1998.

     Rob Powers, a spokesman for the Las Vegas Convention and Visitors Authority, sees Paris fueling the current 9 percent increase in visitors that began with the opening of Bellagio in October, followed by Mandalay Bay in March and The Venetian in May.

     "Paris is the latest in a series of themed properties that have helped to redefine the city," Powers says.

     Some casino executives were skeptical when Goldberg talked of replicating the Eiffel Tower, but the project has become one of the city's most striking landmarks.

     Resort engineers obtained the tower's original architectural plans and followed them in minute detail, even bringing back paint chips to replicate the color.

     There's a 225-seat gourmet French restaurant on the 11th floor of the tower, and an observation deck atop the 542-foot structure. Three of the four legs rise from inside an 85,000-square-foot casino that offers the aura of a Paris park setting.

     The Eiffel Tower is not the only French icon copied at Paris Las Vegas.
    The main attraction?
    Photo courtesy The Games of Caesar


     Guests arrive on a circular drive featuring a two-thirds replica of the Arc de Triomphe. There are also copies of the Paris Opera House and The Louvre. And the 2,916-room, 34-story hotel replicates the 800-year-old Hotel de Ville, which is now the Paris City Hall.

     Room rates will run $125 to $230 per night.

     Paris is also accessible from Bally's through an area that was once the Celebrity Showroom, home of stars such as Sammy Davis Jr., Tom Jones, Barbara Mandrell, Dean Martin and Jerry Lewis.

     Linked together, Bally's and Paris offer a total of 5,700 rooms.

     On the Paris side, the floor is paved in cobblestones and employees greet guests and each other with "bon jour" and other salutations, the result of "French cultural training" given the 4,200 workers.

     Near the opulent registration area is the 1,200-seat Le Theatre des Arts, a showroom that in January will showcase the first English adaptation of the hit French musical "Notre Dame De Paris."

     And off the registration area, on the edge of the casino, a reminder of who pays the tab for these elegant new megaresorts. A row of slot machines with blinking lights beckons with the words "Le Jacque Pot."

     Jason Ader, a casino analyst for Bear, Stearns & Co., says investors on Wall Street had been concerned about overbuilding, but no longer.

     "There's evidence that the Las Vegas market is growing, that more people are coming," Ader says. "The Asian economy is improving and the airlines are scheduling more flights to the city."

     He thinks that the Paris resort will be a hit.

     "It's in a great location, the price is right, and there's already a buzz about it in the tourist and travel community," he says.

     Also, Ader says, despite the $800 million price tag, relatively speaking it wasn't that expensive. The Bellagio, for instance, cost $1.6 billion to build and the Venetian cost $1.5 billion.

     "They're doing it in the right way, not spending a lot of money, which will deplete shareholder value," Ader says. "I think you can build a great product and not spend everything you have in the bank."

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